Showing posts with label Mallikarjuna temple. Show all posts
Showing posts with label Mallikarjuna temple. Show all posts

Sunday, December 30, 2012

Badami Group of Temples – Bagalkot Heritage Drive - Day 2


Bagalkot Heritage Drive - Day 2 – Badami Group of Temples

By 5.45 pm we left the Badami caves & started towards the Museum which was on the opposite side of the caves, it is around 1.5 km for us, but as per Google maps it is around 1km. Though it is only about half a km from the caves but there are no proper roads to reach here, Government has failed a bit here in claiming some land & protecting the road to these places, we had to struggle a lot to make way for our Innova, as the road is so narrow that even if there is another vehicle on the other side one of us must have to reverse the car back to the road, but luckily no other vehicle came in the opposite direction till we reached the fort gate.
Also there are a few temples which reside inside the town with all the houses in the town surrounding the temples which has a history of over 1500yrs. I felt there should be a protected area around the temple at least to protect it from being encroached. Due to the roads being very narrow & very less awareness of the places on the other side of the cave temples, most of the tourists go unnoticed after visiting the cave temples.

Apart from the four cave temples, Badami temples also include a number of other temples including Dattatreya Temple, Bhoothanatha temple Complex (Lower), Upper Bhoothanatha Temple or the Mallikarjuna group of temples, Lower Shivalaya Temple, Upper Shivalaya Temple, Malegitti Shivalaya Temple. Badami Museum also lies part of the other side of the Agasthya lake.

One has to go through the town market area to reach the fort gate, once you reach the fort gate there is the Badami archaeological Museum, which was already closed as it was around 6 pm, we further drove till the Mallikarjuna temple & again that was also closed, I wonder why even the compound gates were also locked so didn't get an opportunity to even see the temple walls from close.
Lower Bhoothanatha temple
Mallikarjuna group of temples: built in 11th century A.D, also called Upper Bhoothanatha Temple, has a stepped superstructure, commonly found in Kalyani Chalukyan constructions. Constructed in Oriya style as compared to the Dravidian style of Lower Bhoothanatha temples. The temples are located on the northeast side of the Agasthya tank. Their typical Late Chalukyan features include plain walls, angled eaves over the mandapa's, and pyramidal towers with deeply carved and closely spaced horizontal courses.
Front view of Mallikarjuna temple
Mallikarjuna group of temples
The other noteworthy places to visit in Badami are the Badami Fort and the Archaeological Museum.

Archaeological Museum: The museum is opened to public from 10am to 5pm & is closed on Friday’s. It contains beautiful sculptures from the caves & rock cut temples which are worth seeing. The sculpture gallery is maintained by the Archaeological Survey of India on the Bhoothanatha Temple Road.
Badami Museum
We then parked the vehicle & started to walk along the lake side of Agasthya tank to reach the Bhoothanatha temple complex; it was during the sunset & had some breathtaking scenery of the Agasthya Lake & the sky colored after the sun set.

Agasthya Lake: this is a large water body framed at the center of the Badami fort surrounded by the red sandstone hills. To the north of the tank lies the Museum, Shivalaya temples & the Mallikarjuna temple complex, to the south is the four cave temples, to the east is the Lower Bhoothanatha temple complex, and to the west is the Dattatreya temple and the Badami town. Towards the north, west and east sides of the tank are built steps with red sand stones making it look more beautiful.
Agasthya lake as seen from Upper bhoothanatha temple, the cave temples are visible on the rocks
View of the lake during sunset
Bhoothanatha temples were also locked but had the opportunity to walk around the temple walls.

Bhoothanatha Temple Complex (Lower): built between late 7th century & 11th century. The temple platform extends into the east end of the Agasthya tank, in a delightfully picturesque setting. The sanctuary and inner hall are Early Chalukyan; the outer hall overlooking the tank is Late Chalukyan.
View of Lower Boothanatha temple from upper bhoothanatha temple
Bhoothanatha temple facing the Agasthya lake
Lower Bhoothanatha Temple
Then proceeded behind the temple as there was a walk way leading behind, just was curious to see where it leads to, but none of them followed me, as it was already dark, so thought to go alone and felt I was not mislead after seeing some rock carvings on the route, which made me more curious to continue the way & saw someone calling my name from behind, & it was our team members, they just followed me without my notice as they felt it was dark and unsafe to go to remote places like this.
sculptures on the rocks behind the Bhoothanatha temple
I finally ended seeing some cave and didn't even felt to enter inside as it was very small and didn't attract me so just took some more snaps of the colored sky above the Agasthya lake in almost dark.
Beautiful landscape painted after sun set
Later just felt to enter the cave to see total darkness & put the torch on from my phone & was surprised to see a sculpture of Vishnu inside the cave, & then felt that the day was ended with an amazement. This cave is behind the Bhoothanatha group of temples it houses a sculpture of Lord Vishnu sleeping on Ananta & attended by Lakshmi.
Cave temple of Vishnu behind the Bhoothanatha temple, Sculpture of Lord Vishnu sleeping on Anantha
Some more pics of the sunset with different exposures and locations,



Then started returning back quickly to the parking area, it was dark and no one around in this place, felt a bit unsafe after sunset in these places. It was around 7 pm by the time we left the place & started back to our hotel in Kudala Sangama, on the way we just took some chances on the route shown by the Google maps navigation, as it showed a shorter way to reach the Hotel, but Google didn't disappoint us even though the route was so remote that there were no villages for almost an hour of drive, but we reached our destination without any hassle. It was almost 2 hour drive to cover the 65 km through the village roads. We had our dinner at Kamat, Kudala Sangama & ended our day.

Before I take you to the day 3 - Kudala Sangama travelogue, here are few more temples which we had a glance from far away through my 250 mm lens, reason being we need at least half a day to cover these temples as one has to climb up the hill to visit these places, definitely I'm going to visit them in my next visit.

Malegitti Shivalaya: There are many temples at Badami of which Malegitti Shivalaya is significant from many points of view. Perhaps with the association of a woman who was a garland maker, this temple should have got that name. The very location of this temple is enchanting. It is built on a spur of the rugged hills which overlook the town of Badami. It is important from the evolution of the Chalukyan style of architecture. It represents a stage of Chalukyan art. It is a good example where the domical finial is octagonal & is supported by a series of small shrines. The tower above the garbhagriha is a typical Dravidian Shikhara. This temple is dated to the 7th century A.D. It is perhaps the oldest temple & also the finest in Badami apart from the cave temples.
Malegitti Shivalaya temple
Yellamma Temple: built in 11th century A.D, This Late Chalukyan temple, located at the west end of the tank, is notable for its tower, whose crimpled and layered roof describes a shape halfway between the curved Shikhara of North India and the pancake pyramids of the south. The sanctuary's outer wall lifts the roof upon a fabric of verticality, achieved by the single-minded division of its projections into a dense forest of tall, slender, closely-spaced, and delicately engaged pilasters
Yellamma Temple
Upper & Lower Shivalaya Temples: Up in the hills behind the Archaeological Museum lies a Chalukyan temple, Upper Shivalaya. It is situated on the tip of a natural gorge. Built by Pulakeshi II who was a devout follower of Lord Vishnu, it is capped by a Dravidian pyramidal tower. A little further down is the Lower Shivalaya. It is dedicated to Lord Ganesha. The lower Shivalaya has a Dravidian tower, and only the sanctum remains now.
Upper Shivalaya temple
Lower Shivalaya temple
Few more pics of the surroundings at Badami,
This must be watch towers on top of the rocks
One more temple almost encroached in the heart of the town surrounded by the homes.


Bagalkot Heritage Drive - Day 3 – Kudala Sangama … to be continued….


Sunday, December 16, 2012

Pattadakal – Bagalkot Heritage Drive - Day 2


Bagalkot Heritage Drive - Day 2 – Pattadakal

Some facts about Pattadakal: Actually Pattadakal represents the final or culminating stage of the early Chalukyan style of architecture. It is believed that the experiments made in Aihole was later implemented in a more professional manner in Pattadakal & hence it has more matured & finished monuments compared to Aihole group of temples. Both Dravida & Nagara type of temples were built at Pattadakal during the reign of the early Chalukyan kings. Sangamesvara, Virupaksha, Mallikarjuna & Jaina temples belong to the Dravidian style, whereas Galaganatha, Papanatha, Kasi Visvesvara, Kadasiddesvara & Jambulinga temples belong to Nagara style. The temple building activity started from the early 7th Century & continued up to the middle of the 9th century A.D. Thus 300years saw a glorious epoch in the evolution of temple architecture in Pattadakal. There were master architects like Revadi Ovajja, Anivarita Gunda, supported by sculptors like Changamma, Pullappan & Beladeva.

Galaganatha Temple(750 AD), Sangameshwara Temple(720 AD) & Virupaksha Temple(740 AD)
Back to the travelogue, it was almost 1pm by the time we reached Pattadakal temple complex which is just 13km from Aihole. Unlike Aihole, the temples here are not scattered at different, so it will be easier to locate the temples all at one campus. There is a nominal entrance fee for the maintenance. As you enter the temple complex you find all the temples at a glance right from the entrance. Also this is the most visited & most beautiful among the Chalukyan temples.

The temple complex consists of Jambulinga temple, Galaganatha temple, Sangameshwara temple, Kashivishwanatha temple, Mallikarjuna temple, Virupaksha temple & Papanatha temple in the order of distance from the entrance.
Galaganatha-Jambulinga-Sangameshwara-Nandi Mandapa-Virupaksha-Mallikarjuna-Kashivishwanatha Temples(left-to-right)

We opted for a guide here also, & he first took us for the Galaganatha temple built in 700-750 A.D., even from a distance it attracts our attention because of the presence of the prominent northern type Shikhara. It is described as belonging to Rekha-Nagara type, also found in Bhubanesvar in Orissa. The entire Shikhara is highly proportioned & this is the unique feature of this temple. The garbhagriha has a polished black-stone linga of the 12th century.







Subsequent to this was the Jambulinga temple, Built probably in the middle of the 7th century A.D. The superstructure over the sanctum is of the rekha-nagara (northern) style. This was just looking like a miniature of the Galaganatha temple next to it.
Jambulinga temple(back) & Galaganatha temple(front)
Further we moved towards the Sangameshwara temple, which is Dravidian type temple built by Chalukyan king Vijayaditya (693-733 A.D) & he established Vijayesvara Siva linga in it. Southern parts of the mandapa have fallen down. Efforts have been taken to preserve & maintain the remaining part of the temple.

Last in the lane was the Mallikarjuna temple, both Virupaksha temple and Mallikarjuna temple look similar, with one difference is that Virupaksha tower has a square top, while the top of Mallikarjuna is a dome. Also the interiors of both the temples are similar.
This temple was built around 740 A.D. by one of the Queens, Trailokyamahadevi of Vikramaditya II (733-45 A.D.) to commemorate her husband’s victory over the Pallavas of Kanchipuram built for the same purpose as Virupaksha temple.
tales of Panchatantra
The epic & puranic episodes carved on the pillars of the sabha-mandapa include goddesses fighting Mahisasura, churning of the ocean (samudra-manthana), Narasimha fighting Hiranyakasipu “exploits of Krishna” slaying of Maricha etc., . The amorous couples relieved on the engaged columns here are slightly bigger in size & better preserved than those in the Virupaksha temple.

Mallikarjuna Temple south face
The Samudra Manthan: Scene from Hindu mythology depicting the Churning of the Primordial Ocean of Milk in order to obtain Amrita or Amrit, the nectar of immortality
One more important sculptures found on the pillars are the tales of Panchatantra, “The mongoose & the farmer’s wife” & “The monkey & the crocodile”; here the first one teaches “Don’t act in haste. Think & act” & the later’s moral says that “At times, presence of mind pays well”

For a detailed explanation on the Panchatantra tales follow this link http://www.bharatadesam.com/literature/panchatantra_stories/tales_of_panchatantra.php

Just beside Mallikarjuna temple is the Kashivishwanatha temple, built in the middle of the 8th century A.D, probably the last to be built in the Early Chalukyan style at Pattadakal. It contains on plan a garbhagriha housing a linga & a Nandi-mandapa opposite to it.
Mallikarjuna Temple & Kashivishwanatha Temple
The superstructure displays the fully evolved rekha-nagara (Northern) Sikhara rising in five stages with its amalaka & kalasa missing. A mesh-like design covers its surface completely. The well-developed sukanasa projection has a fine sculpture of dancing Uma-Maheswara within the Chaitya-arch.


Virupaksha-Mallikarjuna-Kasshivishwanatha temple(left-to-right)
360 degree view of Pattadakal(from left to right - Jambulinga, Galaganatha, Sangameshwara, Nandi mandapa, Virupaksha, Mallikarjuna, Kashivishwanatha temple)
Next was the most important temple of Chalukyan architecture, The Virupaksha Temple, which I will be posting it separately... to be continued…